About

Radar Curatorial is dedicated to collaborating with artists, museums, galleries, arts institutions, public spaces, and private clients to help meet their exhibition needs. Through our efforts curating art shows in conventional gallery spaces and alternative settings we have developed a reputation for devotion to supporting emerging and established contemporary artists who ask tough questions and pursue perfection of their work’s vision.

MICHELE JASLOW, CURATOR
Michele Jaslow is a NYC-based independent art curator and writer. A pioneer shaping the current visual arts landscape in Brooklyn Michele is founder and former Gallery Director of Brooklyn Artists Gym, worked with Brooklyn Public Library, Brooklyn Arts Council, BRIC, Spaceworks, Coney Island Museum, Waterfront Museum, Wagmag, Spaceworks, Photoville, and the American Society of Media Photographers. An art and technology focus has led her to work with the Paley Center, MIT Media Lab, and the Exploratorium Museum.

Michele holds a Master of Fine Arts (MFA) degree from Cranbrook, a Bachelor of Fine Arts (BFA) degree from Purchase and has studied at notable institutions including the Art Students League, the University of California San Francisco (where she explored the intersection of applied physics and art), and New Media at New York University.

Michele recently completed the Appraisers Association of America’s Comprehensive Appraisal Studies Program (CASP) and is USPAP compliant. Michele is a member of American Alliance of Museums and Association of Art Museum Curators. Her writing focus is contemporary art and recently served as review panelist for art, science, and technology publication Leonardo/ISAST by MIT Press.

Michele also founded and served as board president of an afterschool program in a Brooklyn elementary school that supported a robust arts program employing teaching artists to expose elementary aged children to the arts. While serving on the board of INSPIREcorps she helped replicate the success of that program in other under-served communities.

Funding for past projects include Brooklyn Art Council, the Lily Auchincloss Foundation, Inc. and the William Talbott Hillman Foundation, New York State Council on the Arts, New York City Department of Cultural Affairs, New York City Council, the Brooklyn Delegations of the New York State Senate and New York State Assembly, and National Endowment for the Humanities.